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2024 Program

FRIDAY, DECEMBER 6
WORKSHOP A: BOOKBINDING
9:45 PST / 12:45 EST / 18:45 CET 
  • Make Your Own Peglar Paper Pocketbook - A Bookbinding Lesson, Earl/Renard

Friday Keynote
11:15 PST / 14:15 EST / 20:15 CET 
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BEYOND HER HORIZONS

In 2023, an all-female cross-disciplinary team sailed the Northwest Passage, from Pond Inlet (Nunavut) to Nome (Alaska), in a journey called the Beyond Her Horizons expedition. Their goal was to explore, document, and honor the untold stories of Inuit and non-Indigenous women in the history of Arctic exploration. Along the way, they visited Inuit communities, made records of the natural environment, created new artwork, and foregrounded the stories of the women they spoke to and learned from. Artist and expedition co-leader Jessica Houston joins us at Terror Camp, to talk about her time aboard the 6-meter sailboat Que Sera, share film footage from the expedition, and discuss new ways of telling Arctic history. Learn more about Beyond Her Horizons here.

Saturday, December 7
8:00 PST / 11:00 EST / 17:00 CET 
  • Opening remarks

Panel A: THE ARCTIC AS A SITE OF KNOWLEDGE PRODUCTION
8:05 PST / 11:05 EST / 17:05 CET 
  • This Place Wants (Everything) Dead: A Brief Overview of the Polar Prehistoric Record, Brittney Elizabeth Stoneburg

  • Goodsir's Vocabulary: Learning Inuit Languages in the Time of The Terror, Leah Palmer

  • "The Time is Night"—Narrativization of the Frozen Deep, Ted Logun

Panel B: DEATH & MEMORY
9:20 PST / 12:20 EST / 18:20 CET 
  • "Anything but Grotesque": How the Franklin Bodies Have Haunted Creatives through the Centuries, Colleen Kornish

  • An Icy Grave: The Corpse and the Funeral in AMC's The Terror, Minette Butler

  • "Oh Virgin Flower of Sailors" (navitarum flos intacte): Translating Tennyson's Viral Victorian Epitaph for Sir John Franklin, Kathryn H. Stutz

Panel C: QUEERNESS & TRANSFORMATIVE WORKS
10:50 PST / 13:50 EST / 19:50 CET
  • Fanart-efact: Fandom for History and Historical Fandom, Millie

  • Gender Fitzgender: An exploration of the creation and consumption of trans narratives in Terror fanworks, K

  • “Filthy Buggers”: Homophobia and Historical Memory in Dan Simmons’ The Terror, Seth Stein LeJacq

Saturday Keynote
12:15 PST / 15:15 EST / 21:15 CET 
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Jared Harris & Liam Garrigan

Actors Jared Harris and Liam Garrigan were instrumental in bringing Captain Francis Crozier and his steward, Thomas Jopson to life on the screen in AMC's The Terror. Terror Camp is excited to welcome Jared and Liam to speak about their time on the Terror, and to answer your questions!

SUNDAY, December 8
8:00 PST / 11:00 EST / 17:00 CET
  • Opening remarks

Panel D: CONSUMABLES
8:05 PST / 11:05 EST / 17:05 CET 
  • Man-Hauling in Meat-Suits: Polar Exploration and the Cuisine of Making Do, Nicole Emanuel

  • Something Else Coursing through their Veins: Queerness and Cannibalism in Western Media; an overview, Midna

  • Opening Up the Franklin Medicine Chest, Skazka

Panel E: EXPEDITIONS, BIOGRAPHIES, & SOURCES
9:20 PST / 12:20 EST / 18:20 CET 
  • “I struggle, I dream, I feel, I hope, and this life is good all the same”: A Study in Charcot and Hope, Nina Rodet

  • The Potato Affair, or How to Name an Expedition, Edith

  • “What was that?”: Engineer Andrée and his [falsely] optimistic ambitions, Jas Bevan Niss

Workshop B: MENDING
10:50 PST / 13:50 EST / 19:50 CET 
  • "Turmoil on the inside needn't show on the outside": Mending as care In AMC's The Terror, Hannah J. Haverkamp

Sunday Keynote
12:45 PST / 15:45 EST / 21:45 CET 
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Julian Sancton

In the Antarctic winter of 1898, Belgian naval officer Adrien de Gerlache, captain of the Belgica, made the glory-seeking (and ill-advised) decision to sail deep into the ice, ultimately stranding his ship and and its multinational crew for months in the polar night. In his book, Madhouse at the End of the Earth, Julian Sancton chronicles the mayhem that unfolded under those most extreme circumstances.

Julian Sancton is a writer and editor whose work has appeared in Vanity Fair, EsquireThe New Yorker, and many other publications.

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